COLLART Collaborative Art Go to the COLLART Home Page. Learn about our collaborative ARTISTS. View abstract canvas paintings from many GALLERIES. Learn about our strange painting METHODS. View VIDEO clips of artists at work. Lots of LINKS here. View the SITEMAP for collartforsale.com. How to CONTACT us.
WHAT IS COLLART?

A CELEBRATION
COLLART is a celebration. It is one collaborator and one adult with a developmental disability enjoying shared moments of playfulness while adding painting materials to canvas.

The balance between contributing and collaborating varies with each individual’s input, but COLLART offers an opportunity for all participants to celebrate who they are.

IS IT ART ?
After the multitude of painting materials blend and settle, if the finished creation has any value as art then we are thrilled, as “beauty is in the eye of the beholder.” However it is the process, the celebration, and the physical act of painting that we value most.

OUR PHILOSOPHY
The 5” x 7” framed bio/descriptions which accompany each finalized creation are the heart of the COLLART philosophy. They use text and photos to show the process of how each piece was created and include a short profile of the artist.

When displayed with our paintings they allow the viewer to join in our celebration by learning about their lesser known neighbors and sharing their creations.

BACKGROUND
Tony Armlin began the process with his friends with developmental disabilities trying to engage each participant in a manner specifically designed for them. The idea was to get the individual to use a hand, or a foot, or to make a sound, or to hit a switch in such a way that painting materials would be added to stretched canvas, most often in a random manner.

For example, Shawn always talked about pudding, so Tony thought why not get him to create a painting involving pudding? Emily enjoys coffee and coffee mochas, so Tony wondered why not have her create a painting with coffee beans and coffee grounds? Virginia appreciates shaking and rubbing together several sets of her maracas, so Tony burned some holes in a pair of plastic maracas, filled them with paint, and let Virginia shake the paint onto a canvas.

Most of the individuals Tony began to work with had very limited range of motion and poor grasping abilities for holding painting materials. Many of the usual techniques were needed to get them to participate in a collaborative creation, such as Tony using his hand over a client’s hand to apply painting materials.

For those client’s who activated electronic devices by hitting big red button switches Tony thought he could come up with some kind of device used for painting that would be switch operated. He invented a Dripping Paint Platform and used it successfully many times with direct hand switch hitting, and voice activated switching.